YO DAWG

Woah.

I don't care how dumb this premise is. It is not any more dumb than the premise of all the stupid goddamn videogames. What I care about is this looks like it will have FUCKING AWESOME fight scenes.

Say it ain't so.

Iron Man 2 sucks?

David Lynch's A Goofy Movie

This nerdgasm is building.

Whedon to direct The Avengers.

Well, he's in the final talks. So close.

Project London

An independent, no budget, feature length, sci-fi film being made in Seattle.

I don't know how the plot is, but these special effects look pretty dope considering there's no studio behind it.

Confirmed! Confusion!

Malkovich is The Vulture.

Tron Poster

I'm a Cyborg, but That's OK

From the director of Oldboy.
This movie is so saturated by cute, so warped by how in love with itself it is, that it may be watchable.
But remember, this guy, the one who wrote and directed this movie, is the same who wrote and directed the incestuous rape and generational vendetta version of the Count of Montecristo, so...yeah. I'm thinking there's gonna be strange shit within.

Bad Movie Night Submission

JoBlo reviewed the DVD here and it sounds amazing

If you have a problem, if no one else can help, and if you can find them, maybe you can hire...

A Visual History of Special Effects

In a similar vein.

Guy Rutchie to direct Lobo Movie

Chihuanhas!

Fucking wow!
Chihuahua as monsters, the next derivation in monster movies.

Inglorious Plummers

Do you have an itch? It might be a Rashomon!

Rashomon is considered to be one of Akutagawa's great short stories as it is equally considered to be one of Kurasawa's great films. Both are, however, boring, slow, and confusing. Seriously. The original story ends with the corpse of the murdered (maybe he was) samurai speaking to the investigator through a spirit medium, dispassionately explaining his side of the events. For its part, the movies is carried on the broad shoulders of Toshiro Mifune, who plays the bandit and is bound and seated for much of his performance. Both are a testament to their creators and show how far ahead of their contemporaries they were. In the Grove was written in the Twenties, i think, and Rashomon was made in the Fifties. Both used an uncharacteristically nonsequential narrative almost entirely alien to their respective art forms at the time.
But both are boring and confusing, like i said earlier.
Here's a graph about the movie.
And here's a link to a guy explaining (ruining) the film). enjoy.

This is my bread and butter!

Tim Burton's Alice in Wonderland pics

More here

Compare and Contrast time

Whiplash from the comics


First pic of Mickey Rourke as Whiplash in Ironman 2

The Goon Movie Poster